Tuesday, March 30, 2010

Places of the Mind

Geography - endlessly flat, dwarfing, towering beyond sight, wave washed, beautiful from a distance--blistering from a footstep, emerald, terracotta, alabaster, sage, azure, granite;

Senses - ebbed and flowed, the push of soft air leading the deluge of monsoon, scent of grass basket fields, sting of spice markets, icy wind from the bow, sweet humid humus, the look in a whale's eye;

and Light - warm in it, awash in it, coloured by it, persuaded and seduced by it.

...why I travel.

Travel, like travel writing, is a self-indulgent-immersion. I have four books that have companioned my indulgent perambulations over the years, in some cases inspiring others: Snow Leopard, by Peter Matthiessen, Arctic Dreams, by Barry Lopez, Song of the Dodo, by David Quammen, Crystal Desert, by David Campbell. But one of the most eccentric of its practitioners, cum addicts was Robert Byron who set out in 1933 on a journey through the Middle East via Beirut, Jerusalem, Baghdad and Teheran to Oxiana - the country of the Oxus, the ancient name for the river Amu Darya which forms part of the border between Afghanistan and the Soviet Union. His arrival at his destination, was the legendary tower of Qabus. He chronicled this indulgence in The Road to Oxiana. Travel writer Bruce Chatwin has described the book as "a sacred text, beyond criticism," and carried his copy "spineless and floodstained" on four journeys through Central Asia.

The map of this journey is from what is called the 'inter-war years' - those are words that describe much more than a reference of years, they define, they demarcate, they turn the page on a world that will never again be - and like all times there are better and worse. Places like Persia, Ottoman Empire, Indo-china, Oxiana and others, lingering vestiges of colony - India, East Africa, German-Belgian Congo. After WWII the dusty roads were hastily paved, there was fear in foreign, urgency without understanding, the world shrank as quickly as double-right clicking Google Earth.

My first map was a paper sheet, not a digitally disconnected earth, (amazingly wonderful as GE is), one I could have crawled beneath and slept, and did in my mind. Folded and unfolded beyond its intent, its creases and worn edges clung to dreams, adventures and escapes. I clung to it as if it were a guide to my imagiNation. Even then I was traveling into self-indulgent-immersion.


In the mid 1990's I had just returned from what would be my last trip to Rwanda photographing mountain gorillas, a genocide had just been released on the people like a plague beyond our imagination and what Christiane Amanpour could report. For me Rwanda was multiple visits, it had become a place of my mind, not a mille colline landscape squeezed within the inky squiggles determined by the Belgians/UN in 1960, it was, as Byron penned, a place that "henceforth it exists on the map of our [my] intelligence as well as our atlases." It was the Rukashaza family teaching me about local pili pili, dark chocolate bars melting in equatorial sun, eucalyptus wood fires cooking rice, one cent avocados, four hour journeys into the Virungas, sweaty day-long gorilla treks, and night-time gauntlet runs to the buffalo guarded outhouse. Geogrpahy, senses, light, places of my mind. In the wake of our evening's conversation Barb shared with me Byron's words from First Russia, Then Tibet.

"Tibet, for us now, is no longer the land of mystery; a piece of dark brown on physical maps, gripped by an unholy hierarchy, and possessing no amenities of life beyond devil-dances and butter statues; but a physical, aesthetic and human definition as implied by the words France or Germany. Henceforth it exists on the map of our intelligence as well as of our atlases. If, say the newspapers, this or that is happening in Tibet, this or that means something. In Tierra del Fuego it does not. This or that moreover is invested with a particular romance. We see again the parched distances, the damson hills and gilded rocks, the encroaching snows, the yaks plowing the pale dusty earth of valleys, the threshers singing on the outskirts of the four square farmhouses, the laugh of the passer-by, the burning turquoise sky, and the pop-eyed clouds. We have a part in the country. We wish it well."

Yes,
Henceforth it exists on the map of our intelligence as well as of our atlases. In my journals and field notebooks I make maps, places small and large, flower markets and labyrinth waterways, like personal address note taking, with contour lines of pondering, persuading future steps to the left or to the right. I might add those atlases Byron speaks of are not digital, but paper, rich with creases and tattered corners, faded from stare. They are ragged-eared reminders, sticky-notes to self-indulgence-immersion.

I've written that my recent travels in India were the first, after four initial encounters. It took a while, I don't know why; the mind wasn't full of places. India has now become a place of the mind. Daily it lives in people, thoughts, news, emails, food, book titles, cricket scores, writings, reviewed photographs. It connects to other places of the mind, an elaborate mental metro where journeys come and go. Two Kashmerie brothers met on floor in a Guwahati apartment have become a journey, my Tibet to know.

I envy Edward Abbey, Thoreau, Bryson for finding travel within their own domain. I have searched and the roads deadend. Even when I lived oversea perpetually for a many years the fascination remained in the foreign, only for a fleeting few days in the latter half of October did I glance skyward and wish to see Vs and voices passing southward, a reminder of home other than the road under foot.

I ran away when I was six, not because, but because. There was a road, it led, to a journey, some imagiNation, so I took off, in much the way I have traveled since, with curiosity and senses tilted forward - much to my mother's horror, although all journeys since have been to her horror as well - to this day I recall vividly those Places of the Mind collected up that sunny Saturday morning.


Photo above - a place for the senses: Kolkata flower market

Monday, March 22, 2010

R-e-s-p-e-c-t... all life, that's what you mean to me

(this is the same posting as currently appears on my Wild Orphans blog)

One would think 'sense and reason' should be the rule by which we travel through our lives, across the Earth, but sadly it's not always the route we humans choose, rather the road less traveled.

Today the folks representing how we treat all things but ourselves met in Doha to play god for another few years - elephants lucked out. Although not everyone was tickled pink, "We do not think our sovereignty has been respected," the Zambia's Tourism Minister Catherine Namugala said. "Respected", interesting word Ms Namugala, apparently that sovereignty doesn't extend to all life? No comment yet from the elephants who's sovereignty (and tusks) may have been spared.


Finally, perhaps, we have looked down that respect road, strewn with life other than our own, and decided they too have a place on earth. If that's the case it is somewhat ironic timing since this weekend in several countries the new BBC/Discovery Channel series LIFE took to the airwaves. Elephants, maybe more specifically African elephants have been given a short reprieve by a group with the highly ironic title the
Convention on International Trade in Endangered Species - yes, I know you are scratching your head and saying, how can one "Trade" something that is labeled as "Endangered", if by the very meaning Endangered you are saying this thing is near disappearing, poof, gone! - doesn't that seem counter-intuitive? Oh well, I did say there were two roads and most of the time...

From a web article on BBC online:

"The UN's wildlife trade organisation has turned down Tanzania's and Zambia's requests to sell ivory, amid concern about elephant poaching.

The countries asked the Convention on International Trade in Endangered Species (CITES) meeting to permit one-off sales from government stockpiles."

An overview article on the CITES vote and who's involved can be found in BBC Enviro corespondent Richard Black's article:

Ivory bids fall on poaching fears

And from the Washington Post: Elephant trade ban reaffirmed for Tanzania, Zambia

Tuesday, March 9, 2010

Tiger Trap

To answer several of you at once (thanks for asking) - the project in India I was working on is called Tiger Trap; so I've titled it for the moment. It is my first major overseas endeavor since returning to photography and writing full-time; it is a self-assignment. Like most of the projects I have worked on previously, it relies heavily on contacts I have developed over the years, and subjects or species, that I have a keen interest in seeing explored from a perspective I think has been neglected.

Tiger Trap follows project leader Dr. M Firoz Ahmed and his team of researchers in Kaziranga National Park, in Assam, India. The team is with the conservation organization Aaranyak, based in Guwahati.


View Larger Map

As is painfully the case in many of the endangered species stories I have researched and photographed, the cost and state of affairs become sad reminders of our planet and the life on it. Just over a century ago there were an estimated 45,000 tigers living wild in India's forests. By the time hunting was banned in 1972, their numbers were down to 2,000. Over the past century, the world's population of tigers has been reduced by 95% as a result of hunting and poaching for their body parts, which are used in traditional Asian medicine. As we celebrate The Year of the Tiger there are only around 3,200 tigers left on the planet.

A bit more about the project and updates will be posted on my website at http://gerryellis.net/tigertrap.html

Tiger Trap Photo: ARNYK_KNP_Female20 (courtesy Aaranyak - not to be reproduced without permission)

Friday, March 5, 2010

Reacquainting with the road

Thirty plus hours each way, two weeks on the ground, fish market on bicycles, Kashmiris brothers selling shawls, one successful assignment, fifteen minutes with one of the rarest cats on earth and close with a TV talk show – it’s been a very long time since my life looked like that. I’ll admit, it took me no time to be mainlining it again. I'm a travel junkie. It was a fix long in coming. It was good to get reacquainted with the road.

Still just settling back into Portland so this is short – many more details and images to come over the following weeks – I missed something this past decade that I had become very skilled in hiding away. This unexpected, hastily planned trip to India, for friend Shyamal’s wedding, and a collection of wanderings before and after the wedding vividly shined a light on the magic that only travel is. It threw me back into photography, filming and writing and thinking about the three in a way I couldn’t have imagined, and in reality could not have eased into as I had planned. A bit over a month ago a bought all new gear, forced my brain, eyes and fingers to reacquaint themselves in this dance of creativity that seemed so intimate not so many years ago. But the reality is the "reacquaintance" could only take place on the road, where I have always been most at home.

I’ve only walked in the door and am hungry return to the road; wash a load of clothes, review 1,500 odd images, a couple hours of film, sort through my field notes and then get back out there. I’m completely set to again live at tiger speed. What I am completely convinced of is I never ever again want to live at Blackberry speed. While passing through SFO airport earlier on the return, I happily stood far right on the moving sidewalk and let everyone stream by – most staring at some digital device. I don’t want it, don’t need it.

When I began this journey over a quarter century ago I did so with the hunger to have each day be a clear punctuation mark in a long time line of living fully, for the past decade days have merged and gotten lost in seamless monotony. The road reminded me everyday had a value, a memory retained, experience worth living. This is the most alive I have been in years.

Now, off to plow through a sea of bits and bytes that now assemble my perception of the world via the 7D’s shutter button.

Photo (c) J. Loren

Thursday, March 4, 2010

Picturing Pat Metheny

Pat Metheny is a rare and unique creator. His creations are through music. The initial response is to call him a guitarist - but that has always missed the mark - he is a musician in the fullest sense of the concept. He says, "the result is absolutely nothing like I ever would have imagined" - YES! That is why we create! His latest creation is "Orchestrion" - best described by Metheny in this video clip. I post it here because a) I think he is one of the finest creators ever and I want to share that, and b) because he does what I strive to do as a creator, particularly focused in Orchestrion, and that is create, push the seams, stretch beyond where I and others have gone. Simply - to imagine! Enjoy Orchestrion -



More About Orchestrion Here