Thursday, July 30, 2009

Searching for new perspectives

Cycling photography has now become one of my new challenges - but cycling photography is and isn't like a lot of sports photography. Most sports are confined by the dimensions of some preordained space - a field, a court, the pitch, or the pool. What ever the imprisonment, it helps get ‘the shot’ for a hungry media, but seriously strains at the coattails of creativity. Let’s face it a lot of daily sports photo coverage is insanely boring – celluloid clichés (alright, now they are digital derivations).

Cycling in most of its incarnations has one enormous photo advantage - it is played out through the villages and countryside of the world – anything with a road or road-like surface is fair game. As a Frenchman once asked me while I was cycling in the French Pyrenees, “don’t you have high mountain roads in your country?” yes, I explained, but we don’t pave a road over every goat trail up there like you do. Photographically this yields a wealth of opportunities. What other sport enables you to cast your actors in an amphitheater of soaring granite and glacial sheets, or against the sun washed stone of a thousand year old Tuscan village. The disadvantage – they never stop moving, never.

The Pros (cycling photographers) have the distinct advantage of a moto” – perched on the rear of a motorcycle with credentials to zoom in and about the peloton (cycling’s big group of riders) as well as venture a field for unique perspectives and return to catch the race action.

As one without benefit of ‘moto’ cycling photography has presented some new and interesting challenges to me. (I’ve also turned to my previous wildlife work for inspiration – there too the ‘game’ is played out in the uncontrollable arena of life.) Fortunately I have no editor sitting anxiously waiting for ‘the shot’ to grace the front page of the sports section or the fleeting lead web story for the day. That freedom gives me the liberty to take some chances – something I just don’t think photographers (regardless your experience) are willing to do – the hell with it, go take a chance, screw up a little, you just might strike gold – accidents are the birthplace of genius.

The Boston Globe posted some of the best photos from the recently completed Tour de France – as you can see, some cycling photo pros are trying to find that new perspective – enjoy.

Over on my cycling website – BicyclingNorthwest.com – I am co-sponsoring a bike photo contest with local Portland shop Pro Photo Supply and Canon cameras. I hope that photographers of all levels and approaches get creative – taking advantage of the millions of opportunities the bike, its infinite habitat and characters, to create some very cool images. Here’s a link to the 2009 Bike Photo Contest.

Tuesday, July 21, 2009

Canon G10 & 5D get thumbs up on NPR

A previous posting discussed some of my new digital cameras and why I'm working in those directions so I thought it was interesting timing that the folks (NPR's multimedia director Keith Jenkins) on NPR's All Tech Considered thought the same -
How to choose the right camera for you

Wednesday, July 8, 2009

Little Camera - Big Fun

I don't typically get excited about gear. In fact, I usually have to turn to others to figure out the cameras and stuff needed to accomplish something I have imagined. But last year I traveled to northern Italy to do some cycling in the Dolomites and wanted to photograph the adventure (having missed some of the year before in the French Pyrenees). Having something little in my jersey pocket was flexible, spontaneous and freeing. The other thing is no one thinks you are a professional.

Trying to marry small and control has been the struggle. The first of the "little cameras" I tried a few years ago was a total disappointment - response time toooo slow. After years of "big cameras" with 6-10 frames per sec. - and on film no buffer download time - waiting wasn't going to work. The other issue is lens range. As you can see from many of the examples I post here I love wides, super wides even better!

My newest little camera photographer-friend Joni Kabana turned me on to, it's the Canon G10 - and I love this little thing. It's got enough weight to feel serious. G10 is the first G-series camera to offer wide-angle imaging via a 5x (28mm) zoom with optical Image Stabilizer. The addition of a 14.7 Megapixel sensor and Canon’s new DIGIC 4 image processor ensures exacting image quality. And from a serious creative perspective it has all the critical controls available in traditional top locations - exposure, ISO, shooting mode, and a actual optical viewfinder! as well as a 3.0” PureColor LCD II (461k dots resolution) with wide viewing angle.
AND just to really make life fun it packs a sweet little 30fps VGA video. There are reviews all over the web - far better than this non-techie could provide, but from a image-making POV the Canon G10 is really awesome.

I now carry the G10 everywhere - literally! It fits in a pocket, a bag, my cycling pocket. I'm shooting a ton with this "LITTLE" camera - over the coming weeks I'll post some portfolios - still and video. PS - Canon if you are listening (knock, knock!) - make the G11 with a 20mm wide and you have a brilliant camera!