100 Photographs for Press Freedom

Over the weekend I received a copy of the latest edition of the Reporters Without Borders (Reporters Sans Frontieres), or RSF, annual fund-raising publication, Nature: 100 Photographs for Press Freedom. Based in France the non-profit RSF creates a publication each year to help generate revenues to support is global journalistic efforts; this year the focus was nature photojournalism. It's a project that I am extremely proud to have my photographs contribute to supporting.

This is one of those rare publications and projects that speaks to the heart of why I became a photographer. Not about the money (none of us received a dime for our contribution), and not always pretty images, it reflects the passion and commitment behind the lens. I am extremely proud to share this space with fellow photojournalists like Mitsuaki Iwago, Jim Brandenburg, Mark Moffet, and others.

Through my photo agency, Minden Pictures, my photographs contributed 8% of the 100 images that speak to the diversity and struggle of life on our planet, and support the environmental journalists, photographers and film-makers that often times risk personal safety to sound the alarm regarding the ever changing fate of our environment. From Nature, "They go to places few have ever heard of, where even fewer would like to go. Some never come back: nature photojournalists share with war reporters the highest rate of casualties of their profession. Fueled by a singular vision, they return time and time again with glimpses of our planet that challenge and shape our perspective of a fast changing world."

With the approaching 2010 designated by the UN as the International Year of Biodiversity the booklet, Nature: 100 Photographs for Press Freedom may provide a small additional glimpse at the course we are on and the need for rethinking our impact.

My great appreciation to Larry Minden and the staff of Minden Pictures for inclusion of my work in this project. Also a huge thanks to our partner agent in France Joel Halioua for his role in bring my work to RSF and sharing it on these pages with the world.

Below is a slide show of the eight images that support the 2009 edition Nature: 100 Photographs for Press Freedom.

Stepping out of the monocular rut

The Ernst Haas quote I posted a few days ago, "I am not interested in shooting new things - I am interested to see things new.", popped up again today when a friend sent a link to this short film "Kudan". It's a nine minute animated voyage through a different world. Voyages should be like that - journeys, perambulations in lands unfamiliar. I guess that's why I have always been passionate about exploring nature - a different world full of surprise that always awaits. Nature inevitably forces me to step out of my monocular rut. Other artists and art forms can do that as well, and I'm always delighted when I find an artist or work, in any medium, that pricks my perspective.

A quote I use in the early moments of a live presentation I do called, Wanderings on a Wild Planet, reads, "Life is not measured by the breaths we take, but by the moments that take our breath away." I am unapologetically selfishness about those take my breath away moments every day - I'm addicted. Yes, a life on Earth junkie. I can't imagine a more amazing place than this, Earth. Every several hours light spills upon it, magically, miraculously turning everything about me into something new and full of discovery - how frigg'n cool is that! Then, so our eyes don't become dulled, impassive to the magic, the light fades and goes out; left are but the faintest fireflies twinkling in the dimensionless firmament, reminders that the light will return.

Photography is very tricky - it's about seeing, with two eyes, a richly influenced multi-dimensional world, framing it, refining it through a single viewfinder and lens (using just one eye), then creating an image to be viewed once again in multi-dimensions. When done exceptionally well, truly an heroic feat! Mostly we are awash with thoughtless, poorly executed, mountains of mediocrity - which does dull our eyes and makes us impassive to the magic. So it vital to voyage through a different world, to prick our perspective.

The film below, Kudan, is wonderful because it is not what I would have imagined - until now there were no people-headed cows or word tubes in my world. There are fractal clouds, but not imagined in the same way. So, today, Kudan, became part of a Friday afternoon's wonderful voyage.

"I am not interested in shooting new things - I am interested to see things new."
--Ernst Haas

Falling Light

I laid yesterday afternoon and watched the light fall into dusk. That wouldn't be all that unusual for a photographer I suppose except that I was sick, stuck lying on my couch, listening to my partner Jenn read aloud from a book about Cook's voyages in Australia, and soaked in the warm late summer sun as it slowly journeyed to and beyond the horizon through my front window, over the garden and distance west hills. What made it unusual was that it was a journey over four hours.

It was an absolutely gorgeous self-indulging journey and one I would never have made if I had not been sick. For the first time in many years, nearly a decade, since an afternoon on the northern Serengeti, I just watched light. I watched it do that most magical thing - change the world.

It reminded me how impatient we are to not indulge ourselves in such an incredible journey. How for granted we take each daily event of magic. And perhaps why there are so few great photographs, and yet so many cameras.

When I was very young in my to-be-a-photographer journey my friend Ernst Haas had a stuccatoed monologue with me one afternoon, what I wrote down from it later was - "Go for a walk one day with the light, you will come back changed."

If you look at his work - B&W or color - you can see many walks, countless walks, walks with and without people, walks in cities, in countrysides, walks at night, and in the heat of the day, but all these walks have one common companion - Light. I think he took far fewer photos than he did walks with light. Thinking back on my precious time with him I'm certain of it. And that idea has triggered a rebirth in my photography, my need to create photographs, a need for more walks; and an idea for an essay, maybe a book, at the least a way to start re-seeing the world I perambulate - A walk with Light.

"ya gotta be good, but never turn down being lucky"

Every now and again someone sends me a link to a photo or series of photos worth sharing. These support the "ya gotta be good, but never turn down being lucky": http://www.pbase.com/redionne/kingkong

Also, if you just want another touch of visual inspiration check out the daily posting of images from around the world on the BBC Day in Pictures online and MSNBC.com The Week in Pictures.

Water thoughts

Last week rain finally fell on Portland, and my garden, and the roads I ride, but every drop of it was lapped up with joy and welcome - like a friend long absent.

Nearly daily I read articles addressing water issues which 'ping' my thinking about how to approach and communicate the our planet's growing water concern. Like the water problem itself, the solution for me photographically is equally elusive. Most of those stories, like this -Water reform is 'needed in Asia' - on the BBC news online, go unnoticed amidst the global panic over economies, wars, terrorists, etc. Ironically, in the coming years, regardless of how our car companies fare, and what leader is this week threatening his neighbors, water will remain at the core of our economic and security woes, it IS our woe. Yet for now, and likely until the day the tap runs dry in the homes of America and Europe, it's a problem to postpone. In the mean time:

• 1.1 billion people live without clean drinking water
• 3 900 children die every day from water borne diseases
• 2.6 billion people lack adequate sanitation

And the statistics flow faster and with more clarity than the water we need - if you are interested check out the World Water Council and International Water Management Institute to get a broader perspective.

Over on my Japanese gardening blog (diary) I made note of the rain returning here to "my" little planet - it was a very personal reunion - both to my thirsty little green friends and my water bill, which has soared in trying to keep the little green friends alive. And that has made me think and post this blog - water isn't personal enough - "enough". Enough is the key word. How do I create images that tell what "enough" is, means, feels like, to those impacted today, so that those who are not will sit up and say, "hang on, we have a nightmare on our doorstep!" We simply, we the American/Europeans of the world, don't face the problem in a personal way daily or any day usually, we don't walk miles for a gallon or two of "clean" water, we don't have our children dieing agonizing deaths in our arms from ghastly sanitation conditions, so it doesn't really exist as a problem.

Hang on, be right back....

Whew, thanks.

I was really thirsty spouting all that, needed a glass of water, wow, that was easy, just turn on the tap, fill the glass.

Back to the blog....

In search of a solution, both to my creative challenge and, more importantly, to the real challenge, I wonder if it doesn't lie in a garden a top a mountain chain in the Highlands of Paupa New Guinea. There 25 years ago I met the Huli people, the "Wigmen of Papua", the spectacular fellow in the picture above, in their tiny mountain valley high above the world and it's problems. Where the Huli live is near Eden, the Tagali Valley , but off the map, most maps anyway (Google map it - it's a blank spot). The soil is lush, alive, and the rain falls with Swiss-like regularity. Literally, stick anything in the ground and it will grow. And that's what has me thinking. From childhood Hulis are gardeners - every man, woman and child works in the gardens. So pervasive is gardening in the Huli culture that even young men passing through the bachelor cult igari haroli must succeed as gardeners - specifically they must grow an orchid-looking bog iris plant (padume). Durning this period they also learn a series of chants important to their passage into manhood, one of them is the "Water Chant". (Women may likely have similar passages but as a male I was not privvy to them.)

For other, but similar reasons I use to thinnk wouldn't it be incredibly valuable if when entering college every student was handed a small seed or seedling and we said "here, care for this and see it grow, and at graduation, in addition to your 'other' studies, you must present this little plant, alive and flourishing, to graduate." Imagine how that would change our lives? Imagine how that would change the way we view life? Imagine future generations of young people who actually value life?

And now I wonder - Imagine how that would make us view every drop of water we use on this planet?

Searching for new perspectives

Cycling photography has now become one of my new challenges - but cycling photography is and isn't like a lot of sports photography. Most sports are confined by the dimensions of some preordained space - a field, a court, the pitch, or the pool. What ever the imprisonment, it helps get ‘the shot’ for a hungry media, but seriously strains at the coattails of creativity. Let’s face it a lot of daily sports photo coverage is insanely boring – celluloid clichés (alright, now they are digital derivations).

Cycling in most of its incarnations has one enormous photo advantage - it is played out through the villages and countryside of the world – anything with a road or road-like surface is fair game. As a Frenchman once asked me while I was cycling in the French Pyrenees, “don’t you have high mountain roads in your country?” yes, I explained, but we don’t pave a road over every goat trail up there like you do. Photographically this yields a wealth of opportunities. What other sport enables you to cast your actors in an amphitheater of soaring granite and glacial sheets, or against the sun washed stone of a thousand year old Tuscan village. The disadvantage – they never stop moving, never.

The Pros (cycling photographers) have the distinct advantage of a moto” – perched on the rear of a motorcycle with credentials to zoom in and about the peloton (cycling’s big group of riders) as well as venture a field for unique perspectives and return to catch the race action.

As one without benefit of ‘moto’ cycling photography has presented some new and interesting challenges to me. (I’ve also turned to my previous wildlife work for inspiration – there too the ‘game’ is played out in the uncontrollable arena of life.) Fortunately I have no editor sitting anxiously waiting for ‘the shot’ to grace the front page of the sports section or the fleeting lead web story for the day. That freedom gives me the liberty to take some chances – something I just don’t think photographers (regardless your experience) are willing to do – the hell with it, go take a chance, screw up a little, you just might strike gold – accidents are the birthplace of genius.

The Boston Globe posted some of the best photos from the recently completed Tour de France – as you can see, some cycling photo pros are trying to find that new perspective – enjoy.

Over on my cycling website – BicyclingNorthwest.com – I am co-sponsoring a bike photo contest with local Portland shop Pro Photo Supply and Canon cameras. I hope that photographers of all levels and approaches get creative – taking advantage of the millions of opportunities the bike, its infinite habitat and characters, to create some very cool images. Here’s a link to the 2009 Bike Photo Contest.