Gulf Oil Spill Project

Over the past week I have been racing forth and back across the Gulf Coast between Louisiana and the Florida panhandle searching out the impacts of the latest human disaster created from our short-sightedness in exploring alternatives to a petroleum based existence. The past week has been interesting - on multiple levels - travel and photography are just two.

The BP Deepwater Horizon oil disaster caught the world's attention for the past couple months and then with the capping of the well greatest human cause environmental disaster began to slip from the media's attention and the worlds - here on the Gulf, especially in Louisiana it is still very much front and center - and as I saw Monday (Aug 16th), out on places like Grand Isle (photo above) it will be for years to come . We need to know who we are, what we have done, why we let it happen, and what is the long-term impact. That's why I came - I hope to help tell that story.

Over the coming weeks as I continue to understand what this disaster means to the Gulf Coast, human lives here, the food chain, and long-term impact on and to our cultural, political and social relationship to the environment I will be blogging about it specifically in a different site you can find here at the Gulf Oil Spill Project.

Partnering with me on the project is the National Audubon Society and photographic support is being provided by Pro Photo Supply (my blog about the photojournalism can be found here) - for each of those I will also be blogging and doing other presentations. As soon as those are up and running I'll post links to them here.

Finally this blog will continue to comment on my travels and observations on the planet - perhaps more, perhaps less, depending on the craziness of the schedule. It will take a new look soon as I will be migrating it to some new blogging tools which should provide you with more imagery, video, sound all to better experience the world I'm perambulating in and through.

Thanks to everyone who is along for the journey - Gerry

"Quick, quick, quick, like a cat"

(similar post over on my bike blog)
Last night was the Awards for the 2009 Bicycling Northwest.com Bike Photo Contest presented by Pro Photo Supply. Despite a civil war football game distraction we had a nice group of the winners and friends gather at the Lucky Lab NW for a bite, a pint (or two) and a look at all the entries as well as those that carried home the winning swag.

Taking top honors was a great shot by photographer John Rudolff - the crash of cyclist Joe Dengel in last summer's Portland Twilight Criterium. The photo epitomizes the old adage, " luck is opportunity meeting preparedness". Photographically many elements come together quite beautifully in this shot - three in particular that make it work for me. Most critically in my mind, and many of the judges, is the expression on the young girl's face in the upper left corner. Without that this photo doesn't have the same voice. With it, it has what Henri Cartier-Bresson use to refer to as the moment you must go click, "quick, quick, quick, like a cat".

In that sense cycling photography is like wildlife photography and unlike so many other types of sports photography. Planning is crucial, preparadness mandatory, understanding your subjects behavior essential, and then realizing you are at the mercy of the universe to bring all the elements together before your lens... that last bit is the hardest part to be patient and accept. If you have never tried photographing cycling - criteriums are the best starting point. Unlike most other cycling events, they are contained within a set "small" manageable playing field - usually a half dozen blocks of city street. You can move freely around the perimeter of the race and take advantage of multiple photo opportunities.

If you are a wildlife photographer and looking for another challenge - even just to keep your eye and index finger sharp - give crit cycle racing a go.

Congratulations to everyone that entered and all the winners!

We will be putting up all the winning images on Bicycling Northwest.com over the coming week - as well, they will be displayed in large print format at Pro Photo Supply later in spring 2010 when we announce the opening of the next contest (I'll post a note here on the blog).

Thanks to Canon cameras for sponsorship of the prizes.

PS - Joe Dengel, the cyclist, is fine and cycling again - the crash did ring his bell a bit.

Searching for new perspectives

Cycling photography has now become one of my new challenges - but cycling photography is and isn't like a lot of sports photography. Most sports are confined by the dimensions of some preordained space - a field, a court, the pitch, or the pool. What ever the imprisonment, it helps get ‘the shot’ for a hungry media, but seriously strains at the coattails of creativity. Let’s face it a lot of daily sports photo coverage is insanely boring – celluloid clichés (alright, now they are digital derivations).

Cycling in most of its incarnations has one enormous photo advantage - it is played out through the villages and countryside of the world – anything with a road or road-like surface is fair game. As a Frenchman once asked me while I was cycling in the French Pyrenees, “don’t you have high mountain roads in your country?” yes, I explained, but we don’t pave a road over every goat trail up there like you do. Photographically this yields a wealth of opportunities. What other sport enables you to cast your actors in an amphitheater of soaring granite and glacial sheets, or against the sun washed stone of a thousand year old Tuscan village. The disadvantage – they never stop moving, never.

The Pros (cycling photographers) have the distinct advantage of a moto” – perched on the rear of a motorcycle with credentials to zoom in and about the peloton (cycling’s big group of riders) as well as venture a field for unique perspectives and return to catch the race action.

As one without benefit of ‘moto’ cycling photography has presented some new and interesting challenges to me. (I’ve also turned to my previous wildlife work for inspiration – there too the ‘game’ is played out in the uncontrollable arena of life.) Fortunately I have no editor sitting anxiously waiting for ‘the shot’ to grace the front page of the sports section or the fleeting lead web story for the day. That freedom gives me the liberty to take some chances – something I just don’t think photographers (regardless your experience) are willing to do – the hell with it, go take a chance, screw up a little, you just might strike gold – accidents are the birthplace of genius.

The Boston Globe posted some of the best photos from the recently completed Tour de France – as you can see, some cycling photo pros are trying to find that new perspective – enjoy.

Over on my cycling website – BicyclingNorthwest.com – I am co-sponsoring a bike photo contest with local Portland shop Pro Photo Supply and Canon cameras. I hope that photographers of all levels and approaches get creative – taking advantage of the millions of opportunities the bike, its infinite habitat and characters, to create some very cool images. Here’s a link to the 2009 Bike Photo Contest.